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ficha técnica

MONOGRAFIAS ARTE CONTEMPORANEO
ALEXANDR RODCHENKO
ALEXANDR RODCHENKO
2016
248
TELA
978-88-572-3175-4
ITALIANO
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sinopsis

In 1924, photography was "invaded" by Rodchenko. The result of this invasion was a fundamental rethinking on the nature of photography and the role of the photographer. With the introduction of conceptual thought, the photograph changed from being a mere reflection of reality to a means of visually representing dynamic intellectual constructions. Throughout the entire history of Russian photography in the first half of the twentieth century, Rodchenko is the only figure to have left us exclusive traces through the publication of articles and diaries: they are the artistic reflections of a thinker-photographer, the witness to a historic cataclysm that generated a tragic conflict in him between conscious supposition and the unconscious creative drive.


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