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ficha técnica

OPERA
ART AND IDEOLOGY IN EUROPEAN OPERA
ART AND IDEOLOGY IN EUROPEAN OPERA
2010
414
TELA
978-1-84383-567-7
ENGLISH
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sinopsis

Opera, that most extravagant of the performing arts, is infused with the contexts of power-brokering and cultural display in which it was conceived and experienced. For individual operas such contexts have shifted over time and new meanings emerged, often quite remote from those intended by the original collaborators; but tracing this ideological dimension in a work's creation and reception enables us to understand its cultural and political role more clearly - sometimes conflicting with its status as art and sometimes enhancing it.


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