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ficha técnica

ARTE S. XVI-XVIII
CARAVAGGIO'S PITIFUL RELICS
CARAVAGGIO'S PITIFUL RELICS
2014
288
TELA
978-0-300-19013-7
ENGLISH
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sinopsis

In his first ecclesiastical commission, Caravaggio offered an unconventional representation of martyrdom that collapsed the borders between art, contemporary religious persecution, iconoclasm, and relics in early Christian catacombs. Yet his art controversially and eventually led to a criminal trial. After he had fled from Rome in disgrace, his major altarpiece depicting the death of the Virgin Mary, portraying her mortality rather than her sanctity, was removed. Caravaggio’s materiality came into conflict with changing notions of the sacred; thereafter, the sacred object became a secular work of art, marking the displacement of the relic.


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