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ficha técnica

ENSAYO CINE
EXHIBITING THE MOVING IMAGE
EXHIBITING THE MOVING IMAGE
AA.VV
2015
RÚSTICA
978-3-03764-388-4
ENGLISH
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sinopsis

In order to define what constitutes a "film exhibition," the authors in this volume analyze multiple modalities of presenting the moving image through historical case studies: the anatomy of video art, expanded cinema, artists’ films and installations, and the moving image in the public sphere. Going back from the 1930s to the present, these contributions address commercial spectacular or advertising forms of moving images, artists’ performative practices, installations in large museums, exhibitions devoted to projections, festivals of experimental films, and the likes. The challenge of this volume is to articulate historical case studies alongside wider questions that shape contemporary forms of artists’ film and the moving image with their exhibition contexts


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