Utilizamos cookies propias y de terceros para mejorar nuestros servicios. Si continúa navegando, consideramos que acepta su uso. Puede obtener más información en nuestra política de cookies.

ficha técnica

DISEÑO GRAFICO
EXPLODITY - SOUND, IMAGE, AND WORD IN RUSSIAN FUTURIST BOOK ART
EXPLODITY - SOUND, IMAGE, AND WORD IN RUSSIAN FUTURIST BOOK ART
2016
208
978-1-60606-508-2
ENGLISH

sinopsis

The artists books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets including Goncharova, Khlebnikov, Larionov, Malevich, and Mayakovsky collaborated to fabricate hand-lithographed books, for which they invented a new language called "zaum" (a neologism meaning beyond the mind ), which was distinctive in its emphasis on sound as such and its rejection of definite logical meaning. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: "Mirskontsa" (Worldbackwards) and "Vzorval " (Explodity). In addition, N. Perloff examines the profound differences between the Russian avant-garde and Western art movements, including futurism, and she uncovers a wide-ranging legacy in the midcentury global movement of sound and concrete poetry (the Brazilian Noigandres group, Ian Hamilton Finlay, and Henri Chopin), contemporary Western conceptual art, and the artist s book.


*Todos nuestros productos incluyen el IVA, ampliar información


comentarios de los usuarios/usuarias