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ficha técnica

ETNOMUSICOLOGIA
NOISE UPRISING
NOISE UPRISING. THE AUDIOPOLITICS OF A WORLD MUSICAL REVOLUTION
2015
320
978-1-78168-856-4
ENGLISH
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sinopsis

In a handful of years between the development of electrical recording in 1925 and the outset of the Great Depression in the early 1930s, the soundscape of modern music unfolded in a series of relatively unnoticed recording sessions around the world. These included the recording of tango in Buenos Aires, son in Havana, and samba in Rio; of hula in Honolulu, shidaiqu in Shanghai, and kroncong in Jakarta; and of taraab in East Africa and marabi in Johannesburg.


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