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ficha técnica

ENSAYO ARTE CONTEMPORANEO
SEEING OURSELVES. WOMEN'S SELF-PORTRAITS
SEEING OURSELVES. WOMEN'S SELF-PORTRAITS
2016
272
CARTONÉ
978-0-500-23946-9
ENGLISH
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sinopsis

The two earliest self-portraits come from 12th-century illuminated manuscripts in which nuns gaze at us across eight centuries. In 16th-century Italy, Sofonisba Anguissola paints one of the longest series of self-portraits, spanning adolescence to old age. In 17th-century Holland, Judith Leyster shows herself at the easel as a relaxed, self-assured professional. In the 18th century, artists from Elisabeth Vigee-Lebrun to Angelica Kauffman express both passion for their craft and the idea of femininity; and in the 19th the salons and art schools at last open their doors to a host of talented women artists, including B.Morisot, ushering in a new and resonant self-confidence. The modern period demolishes taboos: Alice Neel painting herself nude at eighty, F. Kahlo rendering physical pain, C. Sherman exploring identity, Marlene Dumas dispensing with all boundaries.


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