CUTTING MATTA

Anarchitecture has become a foundational myth, but one that remains to be properly understood. Stemming from a series of meetings or ganized by Gordon Matta-Clark and refl ecting his long-standing interest in architecture, the Anarchitecture exhibition was conceive d as an anonymous group statement in photographs about the intersection of art and building. But did it actually happen? It exists o nly through oblique archival traces and the memories of the participants. Cutting Matta-Clark investigates the Anarchitecture group as a kind...[Read more]