JUNYA ISHIGAMI

Delightfully conceived, Ishigami has chosen to present the projects by his office dissected into 500 smaller illustrations and accom panied by some 150 blocks of text. In so doing, the defining lines of the respective projects are rendered ambiguous, and a vague, a bstract image of the whole emerges lending itself to new associations and discoveries. Works, projects, plans, photographs, models a nd research reveal a sensitive and intriguing architecture from this young Japanese office.