CANDIDA HOFER/ OPERA DE PARIS

In her most recent cycle, Candida Höfer captures two Paris opera houses: the neoclassicist Palais Garnier (1875), original Phantom o f the Opera site, and the modern-style Opéra Bastille (1989). Devoid of people, as usual, foyers, orchestras, stages, wings, and box es evoke the stories, the music, the performers and the audience during a night at the opera.