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Since conceptualism, the field of art has become increasingly accustomed to playing host to its own critique, and recent decades hav e found institutions engaged in self-critique as if by mandate. Important notions of legibility, autonomy, and critical engagement t hat were once necessary to carve out a space for a critic or critical art publication have transposed themselves onto artistic produ ction proper, and are now considered to be of equal importance to artist, curator, institution, and engaged audience member alike. Since conc...[Read more]