INFINITE CITIZEN OF THE SHAKING TENT

In Liz Howards wild, scintillating debut, the mechanisms we use to make sense of our worlds even our direct intimate experiences of it come under constant scrutiny and a pressure that feels like love. What Howard can accomplish with language strikes us as ele ctric, a kind of alchemy of perception and catastrophe, fidelity and apocalypse. The waters of northern Ontario shield country are t he toxic origin and an image of potential. A subject, a woman, a consumer, a polluter/ an erotic force, a confused brilliance, a ver y necessary ...[Read more]