MARCEL DUCHAMP'S LAST READYMADE

Based on his last ready-made, in the third volume of the series art historian Thomas Zaunschirm examines the ready-made as an indepe ndent genre. The red license plate with the title Faux vagin is both a single as well as a multiple object, and it has previously re ceived little attention in research on Duchamp despite this special feature. Light is now being shed on the story of its origin for the first time. Connections become apparent to, for instance, the early automobile industry in the Parisian commune of Puteaux or Fr ancis Pic...[Leer más]