ANTONY GORMLEY

The publication centers on Gormleys most recent work, Expansion Field, which is being presented for the first time in the large exh ibition hall at the Zentrum Paul Klee in Bern. It consists of sixty steel sculptures whose orthogonal shapes are derived from differ ent postures of the artists body. Expansion Field ties in with the other Field works by the sculptor and in terms of cultural and a rt history opens up references from prehistory to Minimal and Body Art.