EXHIBITING THE MOVING IMAGE

In order to define what constitutes a film exhibition, the authors in this volume analyze multiple modalities of presenting the movi ng image through historical case studies: the anatomy of video art, expanded cinema, artists films and installations, and the movin g image in the public sphere. Going back from the 1930s to the present, these contributions address commercial spectacular or advert ising forms of moving images, artists performative practices, installations in large museums, exhibitions devoted to projections, f estivals o...[Read more]