JU

This exhaustive monograph begins with a biographical essay by Ingrid Sischy who tells the personal story of a dedicated artist unwil ling to compromise his work even in torrid times. An essay by Eckhard Schneider sees Koons from a European perspective. Arranged in chronological chapters by work groups, the main body of the book features art historian and critic Katy Siegels detailed analyses a longside hundreds of large-format images, tracing Koons career from 1979 to today.