PATTERNS FOR (RE)COGNITION

This publication documents the three editions of Patterns for (Re)cognition, an exhibition comprising various duos conceived by Vinc ent Meessen. It also offers new perspectives on the reception of this package that was intended to cast a contemporary eye on the ab stract works that the Congolese artist, Tshela Tendu better known until now by the name of Djilatendo painted in the period betw een 1929 and 1932