PRACTISING ART INTERNATIONALLY

What is at stake in this book is an attempt to de-align the discussion of international art practice from the rhetoric of globalizat ion and an exclusive focus on the contemporary. Instead, it seeks to trace a genealogy of trans-local practices, with histories and methods that link to networks of friendship and solidarity, and of the visual arts as participating in a longer history of contact b etween individuals motivated by shared interests and struggles. Visual art is not limited to a discipline but rather thought of as a practice...[Read more]