SEEING MOTION

The central focus of this publication is the synthesis of science and art in the field of visual perception, in particular how early 19th century perceptual research into illusions, kinetic illusory figures, and illusory movement influenced the apparative / machin e, kinetic art of the 20th century and the computer-generated visual art of the 21st century.Professional artists have traditionally used innovative, scientific inventions involving light and perspective for their work as well as making use of visual aids.Since the beginni...[Llegir més]