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The official history of 20th-century avant-garde electronic music has been predominantly narrated from the point of view of Anglo-American and Western European experiences and largely remained focused on its male protagonists. To destabilize this history, this editorial project presents a collection of perspectives, essays, interviews, archival photos, and work reviews centered on the early electronic music production by Latin American female creators, who were active from the 1960s to the 1980s.