THE CULTURE OF CURATING AND THE CURATING OF THE CULTURE(S)

Once considered a mere caretaker for collections, the curator is now widely viewed as a globally connected auteur. Over the last twe nty-five years, as international group exhibitions and biennials have become the dominant mode of presenting contemporary art to the public, curatorship has begun to be perceived as a constellation of creative activities not unlike artistic praxis. The curator has gone from being a behind-the-scenes organizer and selector to a visible, centrally important cultural producer. In The Culture of C urating ...[Leer más]