libros
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especiales
- los eBooks de Shakespeare
- los eBooks de Filósofos de hoy para el mundo de ayer
- Los eBooks del verano
- Los eBooks de Peter Sloterdijk
- Los eBooks del Club de Lectura Laie 2017/18
- Poesía en eBook
- La vuelta a la naturaleza
- Sant Jordi 2017: ¡Muchas gracias!
- Los eBooks de Ricardo Piglia
- Los eBooks de Zygmunt Bauman
- Laie TV
restauración
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dónde estamos
- Pau Claris
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- Fundación MAPFRE Madrid
- Museu Nacional d'Art de Catalunya
- Recinte Modernista de Sant Pau
- CaixaForum Zaragoza
- MACBA store Laie
- The Gaudí Exhibition Center
- CaixaForum Sevilla
- Centre Pompidou Málaga
- Fundación MAPFRE Barcelona
temas destacados
- Domènec. Ni aquí ni en ningún lugar
- El placer de elegir con Laie: los libros recomendados de Sant Jordi 2018
- Sant Jordi 2018: recomendaciones de libro infantil y juvenil
- Sant Jordi 2018: El placer de elegir con Laie CosmoCaixa
- Sant Jordi 2018: El placer de elegir con Laie CaixaForum Barcelona
- Sant Jordi 2018: El placer de elegir con MACBA store Laie
- Sant Jordi 2018: el placer de elegir con Laie CCCB
- Món Llibre 2018
ficha técnica
sinopsis
A monograph on the great Pop Art master, James Rosenquist, this book shows how the artist's large-scale works and their source materials remain powerful and relevant as cultural and political commentary.With a background in advertising and painting billboards, James Rosenquist had a unique perspective on the dual effects of imagery and scale on the viewing experience. His colossal pieces are immersive-they surround the viewer and dominate most gallery spaces. In this volume readers can examine his process of creating image-laden abstractions through his source materials. Rosenquist often started with images he'd literally ripped from the pages of print media and which he then transformed into collages. From there he would scale up the collage, recreating it as a large-scale canvas or installation. This book presents both well-known and rarely exhibited pieces, including F-111 and The Swimmer in the Economist, to show how juxtaposing seemingly incongruent images creates a powerful mirror of commercialist culture. Essays about Rosenquist's life, oeuvre, technique, and impact on the art world create a multi-faceted portrait of an artist who believed that the sum of the parts was essential to understanding the whole.
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