ANNA

From the end of the 1940s Anna-Eva Bergman concentrated on abstraction in painting. Her formal language draws on archetypical motifs rooted in the experience of the Nordic landscape and Scandinavian mythology: stones, cliffs, the sea, horizons, boats. The central themes of her work are landscape and light, which she also explored in a reduced and penetrating manner during her productive period in the Antibes, enriched by the experience of the Mediterranean light.