BLOWP

Blow Up, the 1966 cult film, can also be regarded as an excursion in photography. On a futile search for evidence of a crime he thou ght he has seen, Thomas, a fashion photographer, enlarges his pictures, pushing the envelope of the mediums boundaries. Michelangel o Antonionis milestone in film history revolves around the issue of how much truth exists in perception, inquires into the ways tha t media reproductions can be manipulated. This publication examines Blow Up from a photographic perspective, investigating in detail the photo...[Read more]