FOTOCLUBISMO

Fotoclubismo's 140 tritone plates faithfully capture the FCCB's striking photographic statements. Situating the FCCB within the broa der art scene in postwar Brazil as well as within a dynamic network of photographers around the world, curator Sarah Hermanson Meist er challenges us to confront our aesthetic biases and reconsider our attitudes toward the amateur. This lavishly-illustrated volume is the first publication outside Brazil to celebrate the extraordinary photography that emerged in São Paulo during a singularly vib rant era.