LEAVING ART/ WRITINGS ON PERFORMANCE, POLITICS, AND PUBLICS, 1974

Since the 1970s, the performance and conceptual artist Suzanne Lacy has explored women's lives and experiences, as well as race, eth nicity, aging, economic disparities, and violence, through her pioneering community-based art. Combining aesthetics and politics, an d often collaborating with other artists and community organizations, she has staged large-scale public art projects, sometimes invo lving hundreds of participants. Lacy has consistently written about her work: planning, describing, and analyzing it/ advocating soc ially en...[Read more]