LIKE ANDY WARHOL

This is a revelatory look at the artists likeness-producing practices, not only reflected in his famous Campbells soup cans and Ma rilyn Monroe silkscreens but across Warhols whole range of interests including movies, drag queens, boredom, and his sprawling coll ections. Flatley shows us that Warhols art is an illustration of the artists own talent for liking. He argues that there is in W arhols productions a utopian impulse, an attempt to imagine new, queer forms of emotional attachment and affiliation, and to transf orm the world in...[Read more]