THE STUDIO

This collection, expanding on current critical interest in issues of production and situation, looks at the evolution of studio and 'post-studio' practice over the last half century.The essays and artists statements in this volume explore these questions with a focus on examining the studios transition from a workshop for physical production to a space with potential for multiple forms of creation and participation. With the emergence of conceptual art in the mid-1960s, the traditional notion of the studio became at least partly obs...[Read more]