TOM MORRIS

Throughout the twentieth century, ceramics was broadly divided into two sectors. Studio pottery, which was a reaction against the mass-made wares of the industrial revolution, and fine art by contemporary artists, who just happened to use clay in their practice but rejected many of its traditional codes of practice. The unprecedented surge in popularity of ceramics in the last five years has helped forge a new type of potter: the ceramic designer. Part-craftsman, part designer, they bridge ceramic craft, collectable design, and fine a...[Leer más]