CUBISM

This volume presents for the first time the fundamental artistic circumstances from 1900 onward that led to the emergence of nonobje ctive art. For example, on the surface there are no obvious connections between the Formkunst (art of form) of Vienna and the Cubism of Prague, since each found its own characteristic form in a slightly different period. Nevertheless, on closer inspection commonal ities are revealed on which this volume sheds light and, by making reference to contemporaneous education and pedagogy, locates them within ...[Read more]