HANNAH COLLINS

Her work marries the performative with the documentary in images of interiors and exteriors, situations and objects of great poetica l strength, a strength that feeds on a dissolve of inward landscapes and outward realities. For all her sensitivity towards politica l and social upheavals, Collins way of working can never be regarded as documentary in the actual sense of the word, for she always makes the voice of the individual audible above that of the group.