DOMON KEN

The breadth and diversity of this Renaissance mans oeuvre reveals untiring attention to and interest in the culture, art, faces, so ciety, and politics of his country. With over 70,000 pictures taken between the 1920s and the 1980s, Domon Ken is considered the sup reme master of Japanese photography as well as the main exponent of realism as the only approach possible. Over the years he honed h is craft, shifting from propaganda photography during the war to photography as a lifes mission, in search of his own Japan: a fasc inating an...[Leer más]