FILM RHYTHM AFTER SOUND

Film Rhythm after Sound analyzes this evolution via close examination of important prototypes of early sound filmmaking, as well as contemporary discussions of rhythm, tempo, and pacing. Jacobs looks at the rhythmic dimensions of performance and sound in a diverse set of case studies: the Eisenstein-Prokofiev collaboration Ivan the Terrible, Disneys Silly Symphonies and early Mickey Mouse car toons, musicals by Lubitsch and Mamoulian, and the impeccably timed dialogue in Hawkss films. Jacobs argues that the new range of s ound techno...[Leer más]