GERHARD RICHTER

In his lifes work, Gerhard Richter has consistently addressed the principle of how we see and perceive objects, moving between repr esentation and abstraction using a variety of materials such as paintings, photographs, digital prints, glass, and mirrors. This concerns not only optical perception but also perceptions formed by a complex web of aspects, including the history of art, contemporary visual culture, 20th-century Germany, the memories of the artist himself, and the viewers desire to see things. Published with the very first ...[Read more]