MARINA ABRAMOVIC. 512 HOURS

This publication brings together material from the artists private archive: images, texts, diaries and other ephemera that act as p oints of reference in Abramovics oeuvre. The publication includes an essay by the exhibitions curator, Sophie O Brien, and also t racks, through diary entries and photographs, Abramovics journeys in Brazil in 2013, which marked a transformative time in her plan ning for the exhibition at the Serpentine Gallery.