RADICAL PICASSO

More than any other modern artist, Pablo Picasso came to represent theidea of genius. Yet the aesthetic of genius, which governed We sternthinking about art between the mid-eighteenth and mid-twentiethcenturies, has also limited how we interpret Picassos work. In RadicalPicasso, C. F. B. Miller dispenses with the privatized clichés that havedominated the reception of modernisms most celebrated oeuvre. Instead,Picassos practice emerges as an assemblage whose density and agitation,negativity and excess, cannot be contained by hero worsh...[Llegir més]