THE CRISTOS YACENTES OF GREGORIO FERNµNDEZ

Analyzing seventeenth-century images of the dead Christ produced by Gregorio Fernández, author Ilenia Colón Mendoza investigates how and why the artist and his patrons manipulated these images in connection with the religious literature of the time to produce striking images that moved the faithful to devotion. In so doing, she contributes new findings to the topic of Spanish sacred sculpture. The author re-examines these sculptures not only in the context of a larger sculptural group but also as independent sculptures that were int...[Leer más]