THEORIZING WORLD CINEMA

This groundbreaking and innovative book is about the place of World Cinema in the cultural imaginary. It also repositions World Cine ma in a wider discursive space than is usually the case and treats it as an object of theoretical enquiry, rather than as a commerci al label. The editors and distinguished group of contributors, including Laura Mulvey, John Caughie, Geoffrey Nowell-Smith, Ashish R ajadhyaksha, and Paul Julian Smith, offer a range of approaches and case studies whose organizing principle is the developing idea o f polyce...[Leer más]