VERTOV, SNOW, FAROCKI

Vertov, Snow, Farocki: Machine Vision and the Posthuman begins with a comprehensive andoriginal anthropological analysis of Vertov's film The Man With a Movie Camera. Tomas then explores the film's various aspects and contributions to media history and practice th rough detailed discussions of selected case studies. The first concerns the way Snow's La Région Centrale and De La extend and/or de velop important theoretical and technical aspects of Vertov's original film, in particular those aspects that have made the film so important...[Leer más]